4/15/2023 0 Comments Allie find love or die trying![]() It says, This will be a story about identity. Beneath the surface of the literal words on the page, “Wolf Girls” communicates with us, sending signals and teaching us how to read it. And so, we were left with no magic and no wolves, but our characters confronting that the world is what you see.”Īt play in the story’s opening is one of fiction’s endless magic tricks. As Dokus writes in her author’s note, “he worst outcome for two girls looking for a storied adventure is nothing at all. Ironically, when they finally venture beyond the familiar confines of school and mothers and the suburban sameness of Xandra’s home, the girls end up closer to the reality of their lives-and farther apart from each other. ![]() ![]() In the drowsy reverie of a sleepover before they depart, Xandra asks, “Isn’t life an adventure?” And how does Maeve respond? “This can’t be all we get.” Attempting to escape from their families, their circumstances, and even themselves, the girls eventually set off into the woods in search of answers to existential questions. A word that not only raises essential questions-if she was Xandra, who is she now, and exactly what does it mean to be Xandra?-but also launches the story into motion.Īt the start of a new school year, two seventh-grade girls, Xandra and Maeve, embark on a friendship with fairytales and mythmaking at its core, inventing a story about two wolf brothers as stand-ins for their dream selves. But, most notably, we have that tiny passive verb lolling with deceptive innocence at the center of the first complete sentence. We have our protagonist, who will emerge on the final page, carrying that change inside of her. In many ways, the opening line of Allie Dokus’s short story “Wolf Girls” captures the piece’s essence, distilling five-thousand-plus words into six: “At the time, she was Xandra.” We have a hint of change, of evolution.
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